Hand lettered cover art for Gone Troppo’s latest surf-rock single. Available to purchase from CD Baby.
The main title was hand lettered by me using PITT artist pens, referencing the early lettering style of Peanuts creator Charles M. Schulz. As a huge fan of his work, I was very keen to create a colourful design that respectfully conveyed a classic comic style with an obvious Peanuts feel, while also matching the set design which will feature large comic panel sections on the stage backdrop. Charlie Brown’s iconic zigzag T-shirt, which was also hand drawn and inked, became an important central element in the design as it offers a strongly contrasting and very striking pattern.
Further promotional design work for this production will use these key elements in a variety of different combinations, which have been deliberately created to provide a flexible system of components for any desired layout or format.
My poster design for Children of the Black Skirt is currently enjoying a second coming as it is now being used again to promote the new shows by Ink Pot Arts Inc for the 2015 Adelaide Fringe. I’ve slightly altered the positioning of the main title to accommodate the ticketing and support requirements, which has actually improved the design slightly in comparison to the original poster.
A fun little piece that shows me hand lettering in the sky for Gone Troppo.
I recently watched John Carpenter’s classic sci-fi film Escape from New York again, and was inspired to create a design featuring lead character Snake Plissken, played with rebellious coolness by Kurt Russell.
In 1988, the crime rate in the United States rises four hundred percent. The once great city of New York becomes the one maximum security prison for the entire country. A fifty-foot containment wall is erected along the New Jersey shoreline, across the Harlem River, and down along the Brooklyn shoreline. It completely surrounds Manhattan Island. All bridges and waterways are mined. The United States Police Force, like an army, is encamped around the island. There are no guards inside the prison, only prisoners and the worlds they have made. The rules are simple: once you go in, you don’t come out.
I’ve always liked the setting, atmosphere, music and general style of this cult movie since first seeing it back as a young teenager. Snake is a great hero character and was to later be the inspiration for Solid Snake from the popular Metal Gear video game series.
The typography I’ve created is based on the font style used in the film for the prison signage, which I think really captures the unique 80’s look of type design during this period and is what I believe to be the signature font for this great film.
Prints, t-shirts and more available to purchase at søciety6.
Custom logotypes for two film projects. Both of these designs started as quick pencil sketches, which were scanned and placed into Adobe Illustrator, where I used them as a guide to begin the process of building the vector shapes of the characters. To Hell with the Preacher is a western genre film, so I was keen to create a handmade style referencing typography of the late 1900’s, as was regularly seen on all forms of signage, printing and advertising. I’ve deliberately incorporated a few unusual adjustments to the letterforms and approached this concept with both a historic and modern outlook to match the storyline of the proposed film.
The Crytozoologist is a documentary style short film, telling the story of a retired man living in the Adelaide Hills, who believes in mysterious creatures, and obsessively strives to locate proof of their existence. My logotype references the many powerfully dramatic advertisements and handbills from the 1800′s and early 1900′s, where promoters used ornate theatrical typography to publicise their attractions to an audience eager to witness remarkable wonders from around the globe. The background image includes a photo taken of a full moon together with multiple texture overlays, and visually captures the hidden and mysterious nature of these curious creatures.
RCHRD’S GLSSS ND TH WRRNG NGHBRS is an entertaining eBook written by new authors Julie and Luca Harper, mostly about Giant Spider Crabs, Greater Bulldog Bats, Green Iguanas, maths, music, timekeeping and vowels!
I was asked to provide a cover design, including a full series logotype and hand lettering, plus a few mono interior illustrations (three shown below) for the book, which at times proved to be more challenging and time intensive than I had envisaged.
The mono illustrations were completed in Illustrator using the pressure sensitive blob brush, and were created as loosely sketched pieces, capturing some of the energy found in the written style of the book. The main characters themselves proved to be somewhat hard to successfully define and capture accurately, and we went through a number of iterations and revisions before I produced the simple character sketches for protagonists Nigel Le Nez, and Madame La Bouche.
These hand drawn pencil sketches then became desired final art, with colour added (as seen above) to match the cover formatting. This wasn’t planned, and it introduced a number of design issues to solve, as the two standing characters dramatically altered the spacing and balance of all the cover elements, which required an intensive rethink of the layout to retain a reasonable design structure.
Ultimately the client was happy – which is all that really matters – and the book moved on into the final production stage. It is now available to purchase from Amazon for Kindle, or the Kindle Reader App, and can be downloaded HERE. So, if you know someone who would like to read a fast paced rollicking story for 7-10 year olds, then I can fully recommend the eBook as a highly entertaining reading experience. And, don’t worry, the vowels are supposed to be left out!
In a world now flooded with poorly executed communication and promotional material, only a dedicated and vigilant resistance against offensive and unacceptable typographical crimes will see us gain a much needed victory. Be part of the solution and join the freedom fight from bad type today!
Poster design commemorating the 2013 Tour de France – the 100th edition of this famous event. This year the riders will cover a total of 3,403 kilometres (2,115 mi), made up from 21 stages of racing around France.
The main image was created in ArtRage Studio Pro, ‘Le Tour’ title hand drawn and edited in Illustrator, and the final layout composed in Photoshop, where textures and effects were added.
Second print in my Motor Style Inc series. This poster design celebrates the historic Rallye Monte Carlo, and shows a classic Mini Cooper from 1965. This event was originally held to test the durability of car models and their current technology, with competitors starting from various points around Europe. Converging to finish in Monaco after surviving numerous hazardous road conditions, which included snow and ice during both day and night, completion of the event would offer manufacturers invaluable publicity and promotion, together with the prestige of a strong finishing result. A brief and entertaining video showing the 1963 event can be seen here, where you can also read a short history about the event during the 60s.
This is a digital illustration completed in Photoshop CS5, and the Monte Carlo type is custom designed by me for this poster to reflect hand drawn type from the period.
Prints of this poster (plus t-shirts) can be purchased from my online store at Society6.
Custom typography for The Indian Wars. The vector letterforms and composition were created in Illustrator, with the final textures and effects added in Photoshop. This was a design concept requiring a specific style of hand lettering that I’d had in mind for some time – happily the final outcome is still very close to my original idea, even though a number of changes were made during the design and construction process.
This piece was then used in my book cover design concept, along with an illustration of attacking Indians, which was also created in Photoshop (detail image below).
Raven Grave: asleep in darkness is a suspenseful, otherworldly adventure – a mature exploration of personal relationships and individual behavior amid upheaval, regret and recriminations. Set within the extensive and desolate wilderness of a decaying country estate, unspoken truths and unresolved conflicts provoke deadly situations and confrontation with both human and supernatural adversaries.
Disturbingly beguiling and completely without comparison, Raven Grave: asleep in darkness is a sophisticated and elaborately complex adult allegory, ruminating on our frequently dark existence in-between joyous birth and the ultimate finality of death.
The American West has long held a fascination for many people – myself included. I’ve lately been reading a lot about exploration expeditions, fur trapping mountain men, cow-towns and cattle barons, pioneers, railroad entrepreneurs, prospectors and miners, cowboys, Indians, and the battles that defined this time and place.
Amongst my reading material has been stories describing the escapades of Billy the Kid, which has inspired the hand lettered illustration piece above. Watching Hell on Wheels has certainly fired the imagination too!